Her dots and nets, too, are everywhere. From hints of their beginnings in the more understated paintings from the 1950s to her trademark infinity net paintings; from dotted soft sculptures to the delightfully disorienting With All My Love For The Tulips, I Pray Forever white room filled with colourful dots.
Two more infinity mirror installations round up the big hits — mesmerising kaleidoscopic environments in the shape of a small room and a small box with peepholes.
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